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Uchanganuzi wa lugha ya amani na maridhiano katika muziki nchini Kenya (2008-2012)

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dc.contributor.author Matara, Philip Ndemo
dc.date.accessioned 2017-09-28T07:32:21Z
dc.date.available 2017-09-28T07:32:21Z
dc.date.issued 2014-10
dc.identifier.uri http://ir.mu.ac.ke:8080/xmlui/handle/123456789/87
dc.description.abstract This research sets out to analyse the language of peace and reconciliation in Kenyan music (2008-2012). The research aimed at analyzing the special use of language and the manner in which peace and reconciliation themes are presented in the sampled music. The study analyzed the special choice of lexemes, clauses and sentences by considering the paradigmatic and the syntagmatic relationships of these elements. It begins by outlining the background details of this research and the functions of music in the political, economic and social spheres of the society. In addition, the study explores the special use of language in presenting the message of peace and reconciliation and the manner in which themes relating to peace and reconciliation have been structured and presented in the messages of the sampled music. The study objectives were, to establish the music used to promote peace and reconciliation in Kenya between 2008 and 2012, to expound the unique diction in relation of musicians with regard to lexical, clause and sentences choices and finally to analyze the message expressed through music intended to promote peace and reconciliation in Kenya (2008-2012). Halliday‟s theory on functions of language coupled with Fairclough‟s thoughts on critical discourse analysis lay the theoretical base for this research. The various functions of music in presenting the theme of peace and reconciliation have been looked at by relating them with the functions of language. Interpretation on the language choices has been analyzed based on the thoughts on critical discourse analysis as a social process. Purposive sampling was used to determine the data for this study. Twenty secular Kenyan songs sang between 2008 and 2012 were analyzed. Open transcription was used to generate the data for analysis. A qualitative analysis was employed in analyzing the data. The research found that there is special choice and use of language in relaying the message of peace and reconciliation. It is also evident that these choices are dictated by the context in which the music is created and sang together with the intended function of the artiste. In addition, it has become evident through this research that language performs various functions in the society. These includes preaching peace and reconciliation, warning the society against trends that threaten peace and reconciliation besides advising the society on ways through which long lasting peace can be achieved among other functions. This research is important in understanding ways in which language can be used positively to enhance development in the society. The research recommends that the functions of music be recognized and expanded in dealing with important issues facing the society. en_US
dc.language.iso es en_US
dc.publisher Moi University en_US
dc.subject Maridhiano en_US
dc.subject Uchanganuzi en_US
dc.title Uchanganuzi wa lugha ya amani na maridhiano katika muziki nchini Kenya (2008-2012) en_US
dc.type Thesis en_US


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