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Self-Exile Within the Community: Athol Fugard’s Psychotherapist Solution to His Characters in His Film Plays The Guest, The Occupation And Marigolds in August

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dc.contributor.author Otieno, Tobias Odongo
dc.date.accessioned 2020-03-11T11:16:47Z
dc.date.available 2020-03-11T11:16:47Z
dc.date.issued 2019-06-01
dc.identifier.uri http://ir.mu.ac.ke:8080/jspui/handle/123456789/2970
dc.description.abstract The South African playwright Athol Fugard has crafted more than twenty five plays based on Apartheid South Africa, each of them prescribing a different solution to this malady known as Apartheid for both his non-white and white characters. The three film plays selected for this paper explore the period when the playwright seemed to suggest that self- exile could effectively work against apartheid policies, so his characters withdraw from the community and into themselves as a way of escaping the harsh conditions they find themselves in. The study adopts psycho-analytic theory as propounded by Sigmund Freud and enhanced by Carl Gustav Jung to explore the psychological conditions of the characters as they react to their physical environments. en_US
dc.description.sponsorship Moi University en_US
dc.language.iso en en_US
dc.subject Apartheid, Racism, exile, Gender, Id, Dreams, Religion en_US
dc.title Self-Exile Within the Community: Athol Fugard’s Psychotherapist Solution to His Characters in His Film Plays The Guest, The Occupation And Marigolds in August en_US
dc.type Article en_US


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