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Audiences as Spect–Actors in the Viewership of Television Dramas: Reading Makutano Junction and Siri

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dc.contributor.author Sambai Caroline
dc.date.accessioned 2018-10-29T10:15:59Z
dc.date.available 2018-10-29T10:15:59Z
dc.date.issued 2014-10
dc.identifier.uri http://ir.mu.ac.ke:8080/xmlui/handle/123456789/2075
dc.description.abstract Audience research is gradually transforming and expanding in its scope from focusing on the traditional role of audiences as passive and vulnerable readers, listeners and viewers to considering audiences as active consumers and (re) producers of meaning in mass mediated messages (Davis & Michelle, 2011). Against the common perception of audiences as a homogenous category, this paper conceptualizes audiences as heterogeneous and focuses on the role that audiences play in the process of meaning making basically based on their individual knowledge(s), experiences and subjectivities otherwise called ‘reading positions’ that are accountable for the multiple readings of a single text. I consider how audiences make sense of the frames of HIV/AIDS based messages in MJ and Siri considering their roles as active (re)producers of meaning in the communicative event. I base this discussion on audience responses from post viewing discussion sessions of selected episodes of the two television dramas. With particular emphasis on how audiences ‘read’ HIV/AIDS based messages, audience subjectivities I argue accounts for the polysemic nature of texts’ meaning and that it is not a short coming but rather a contributing factor towards the richness of the meaning making process of a media text. en_US
dc.language.iso en en_US
dc.publisher Moi Univesity press en_US
dc.subject Active audiences, en_US
dc.subject polysemy en_US
dc.subject HIV/AIDS, en_US
dc.subject Entertainment-Education en_US
dc.title Audiences as Spect–Actors in the Viewership of Television Dramas: Reading Makutano Junction and Siri en_US
dc.type Presentation en_US


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