Aesthetics of Participation in Film for Community Development:

Odhiambo, Christopher J.

Please use this identifier to cite or link to this item: http://ir.mu.ac.ke:8080/jspui/handle/123456789/7930

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DC Field	Value	Language
dc.contributor.author	Odhiambo, Christopher J.	-
dc.date.accessioned	2023-08-10T06:05:38Z	-
dc.date.available	2023-08-10T06:05:38Z	-
dc.date.issued	2023-06-23	-
dc.identifier.issn	978-3-662-66222-9	-
dc.identifier.other	https://doi.org/10.1007/978-3-662-66222-9_11	-
dc.identifier.uri	https://link.springer.com/chapter/10.1007/978-3-662-66222-9_11	-
dc.identifier.uri	http://ir.mu.ac.ke:8080/jspui/handle/123456789/7930	-
dc.description	Part of the Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens book series (ÄZKäD)	en_US
dc.description.abstract	This article explores how film as a mode of intervention in community development has deliberately integrated the aesthetics and poetics of participation. To demonstrate how this is made possible, a film by Sponsored Art For Education—Kenya (SAFE-K) entitled Watatu is deployed as a specimen for critical analysis. From the structuring and framing of the film through the infusion of community theatre participatory aesthetics, it is discerned that film can actually incorporate aesthetics of participation to engage audiences in dialogue.	en_US
dc.language.iso	en	en_US
dc.publisher	Springer-Verlag GmbH, DE, part of Springer Nature	en_US
dc.relation.ispartofseries	Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens book series (ÄZKäD);	-
dc.subject	Film	en_US
dc.subject	Community Development	en_US
dc.subject	Theatre participatory aesthetics	en_US
dc.title	Aesthetics of Participation in Film for Community Development:	en_US
dc.title.alternative	Watatu	en_US
dc.type	Book chapter	en_US
Appears in Collections:	Articles

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