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DC Field | Value | Language |
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dc.contributor.author | Otieno, Tobias Odongo | - |
dc.date.accessioned | 2020-03-11T11:16:47Z | - |
dc.date.available | 2020-03-11T11:16:47Z | - |
dc.date.issued | 2019-06-01 | - |
dc.identifier.uri | http://ir.mu.ac.ke:8080/jspui/handle/123456789/2970 | - |
dc.description.abstract | The South African playwright Athol Fugard has crafted more than twenty five plays based on Apartheid South Africa, each of them prescribing a different solution to this malady known as Apartheid for both his non-white and white characters. The three film plays selected for this paper explore the period when the playwright seemed to suggest that self- exile could effectively work against apartheid policies, so his characters withdraw from the community and into themselves as a way of escaping the harsh conditions they find themselves in. The study adopts psycho-analytic theory as propounded by Sigmund Freud and enhanced by Carl Gustav Jung to explore the psychological conditions of the characters as they react to their physical environments. | en_US |
dc.description.sponsorship | Moi University | en_US |
dc.language.iso | en | en_US |
dc.subject | Apartheid, Racism, exile, Gender, Id, Dreams, Religion | en_US |
dc.title | Self-Exile Within the Community: Athol Fugard’s Psychotherapist Solution to His Characters in His Film Plays The Guest, The Occupation And Marigolds in August | en_US |
dc.type | Article | en_US |
Appears in Collections: | School of Education |
Files in This Item:
File | Description | Size | Format | |
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Otieno Tobias Odongo.pdf | 1.03 MB | Adobe PDF | View/Open |
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