Please use this identifier to cite or link to this item: http://ir.mu.ac.ke:8080/jspui/handle/123456789/2970
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dc.contributor.authorOtieno, Tobias Odongo-
dc.date.accessioned2020-03-11T11:16:47Z-
dc.date.available2020-03-11T11:16:47Z-
dc.date.issued2019-06-01-
dc.identifier.urihttp://ir.mu.ac.ke:8080/jspui/handle/123456789/2970-
dc.description.abstractThe South African playwright Athol Fugard has crafted more than twenty five plays based on Apartheid South Africa, each of them prescribing a different solution to this malady known as Apartheid for both his non-white and white characters. The three film plays selected for this paper explore the period when the playwright seemed to suggest that self- exile could effectively work against apartheid policies, so his characters withdraw from the community and into themselves as a way of escaping the harsh conditions they find themselves in. The study adopts psycho-analytic theory as propounded by Sigmund Freud and enhanced by Carl Gustav Jung to explore the psychological conditions of the characters as they react to their physical environments.en_US
dc.description.sponsorshipMoi Universityen_US
dc.language.isoenen_US
dc.subjectApartheid, Racism, exile, Gender, Id, Dreams, Religionen_US
dc.titleSelf-Exile Within the Community: Athol Fugard’s Psychotherapist Solution to His Characters in His Film Plays The Guest, The Occupation And Marigolds in Augusten_US
dc.typeArticleen_US
Appears in Collections:School of Education

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